Airshow Mastering Installs Its Fourth Prism Sound SADiE System
The company pays tribute to Prism Sound's decades of customer support and dedication to quality audio.Cambridge, UK: Airshow Mastering Takoma Park, part of the US-based Airshow audio facilities group with locations in Boulder, Colorado and Takoma Park, Maryland is celebrating the installation of its fourth SADiE system, and is now running Prism Sound's latest SADiE 6.1 audio recording and editing software across its mastering suites.
Senior Mastering Engineer Randy LeRoy, an experienced SADiE user, joined Airshow Mastering's Takoma Park facility in 2010. Since arriving at Airshow, LeRoy has mastered projects from some of the biggest names in country, bluegrass, folk, Americana and gospel, first working on a SADiE system back in the late 90s.
Randy LeRoy at Airshow Mastering
"My previous company, Final Stage Mastering, installed a SADiE 24/96 system and a few years later added SADiE DSD 8 and DSD 2 turnkey systems," LeRoy says. "I brought the two DSD systems with me when I joined Airshow in 2010. In 2013, we replaced the Series 5 DSD 8 system with the new SADiE 6. To facilitate compatibility between both mastering suites, we now currently operate SADiE 6.1 in both of our mastering rooms."
LeRoy chose to invest in SADiE systems because of their stability and easy work flow.
"From our first purchase in the 1990s, the support I have been given has been unrivalled," he says. "The flexible signal routing, trim editor, bounce capabilities, CD authoring and ISRC .wav file support are just a few of the features I use on a daily basis. But above all, the biggest reason is simply that it sounds amazing. No other workstation gives me the critical and transparent results that SADIE systems deliver."
Over the years, LeRoy has found that SADiE has fitted seamlessly into an ever-changing workflow.
"From early serial machine control on Sony 1630 systems, CD-R burning, DDP authoring, plug-in support and the new 'WAV Master' feature, SADiE has always been a major piece of equipment, alongside my outboard analogue and digital processors," he says. "In the current world of audio manufacturers it's not often that a company remains as strong Prism Sound and SADiE have over the years. It's a testament to their dedication to providing audio gear that can last for, and be supported for, a lifetime."
LeRoy has recently mastered projects for country artists Jamey Johnson, Amanda Watkins, and Brooke Hogan, americana artists John Cowan, Andrea Zonn and Colin Hay, and bluegrass artists Larry Cordle, Frank Solivan, and Bryan Sutton. Solivan and Sutton releases mastered by LeRoy were both nominated for 2015 Grammy Awards for Best Bluegrass album. Find out more about Airshow Takoma Park at www.airshowmastering.com.
With no dedicated proprietary hardware requirements, SADiE 6.1 software packs are application-based and focus on the core SADiE expertise of mastering, radio production, TV/film post, archiving and restoration, and high-level sound design. Prism Sound has also announced a new, competitive pricing structure for its SADiE software packs, with the entry-level SADiE6 Pro now starting at under USD800 (GBP445) excluding tax, taking the SADiE brand into new markets. For more information on Prism Sound and SADiE systems, please visit www.prismsound.com or www.sadie.com.
|Pro7ect's 2019 Songwriting Retreat Announces its Second Headline Producer
The exceptionally talented producer/songwriter Gethin Pearson will host the Prism Sound pop up studio at Hotel Pelirocco during Pro7ect's highly collaborative three-day retreat. . . . (31st July 2018)
|Prism Sound and SADiE Help Capture Gregorian Introits in Latin and English
A Lyra audio interface and SADiE 6 software delivered the perfect solution for a complex location recording project at Buckfast Abbey in Devon. . . . (10th June 2018)
|Prism Sound Appoints Sonic Lab as Its Distributor in Taiwan
Based in Taipei, Sonic Lab has an extensive customer base that encompasses local pro audio, broadcast and film scoring facilities. . . . (6th June 2018)
|Prism Sound Boosts Its US Sales Force With Two Key Appointments
Eric Klein and Scott D Ray join the company to promote its world-renowned audio recording products. . . . (19th April 2018)
|Prism Sound's Lyra 2 Brings 'Off The Scale' Sound Quality to US Band UNA
American band UNA are delighted with their new Prism Sound Lyra 2 Audio Interface, which they won at NAMM after entering our prize draw competition. . . . (10th April 2018)
|Prism Sound Sponsors AES Archiving, Preservation & Restoration Conference
The company's audio interfaces and converters are ideally suited to the quality demands of this important market. . . . (28th March 2018)
|SADiE, part of Prism Sound, Embraces ASIO Direct Monitoring (ADM) For Key Interface Products
SADiE workstation software and Prism Sound's Award-winning Atlas, Titan and Lyra audio interfaces can now deliver a more convenient, automated workflow. . . . (17th December 2017)
|William Rowe Joins Prism Sound's Sales Team
A recent graduate from De Montfort University, Rowe is delighted to be part of this highly respected pro audio company. . . . (28th September 2017)
|SADiE 6.1 is now released
We are pleased to announce the release of SADiE Version 6.1, an update to the acclaimed SADiE6 recording and editing software which is now available for download. . . . (29th August 2014)
|SADiE's new mastering toolkit saves Eric Boulanger "hours and hours"
The new mastering features that SADiE has incorporated into its popular SADiE 6 editing and production software have been hailed as a major improvement by internationally acclaimed mastering engineer Eric Boulanger - not least because they are saving him an enormous amount of time. . . . (27th June 2014)
|SADiE's WAV Master
Announcing a brand new toolset, which is specifically designed for today's 'digital download' age . . . (27th June 2014)
|Peerless Mastering upgrades to SADiE 6 Software
Reflecting an increasingly common pattern throughout the industry, Peerless Mastering's Jeff Lipton has recently upgraded his SADiE software to V6 and bought a Prism Sound Lyra 2 to use with it. . . . (26th March 2014)
See Also: News Archive