SADiE News
Prism Sound Sponsors AES Archiving, Preservation & Restoration Conference
The company’s audio interfaces and converters are ideally suited to the quality demands of this important market.
Cambridge, UK: March 28th 2018: With Prism Sound’s high quality audio interfaces playing a key role in many prestigious archiving projects, it was an obvious step for the company to sponsor the AES International Conference on Audio Archiving, Preservation & Restoration, which takes place from June 28-30, 2018.
The Conference, to be held at the United States Library of Congress National Audio-Visual Conservation Center in Virginia, provides an opportunity for researchers and practitioners to meet and discuss critical preservation issues. It also allows those involved in preservation, restoration and archiving to focus on strategies that will support and encourage collaboration and interoperability.
Prism Sound Sponsors AES Archiving, Preservation & Restoration Conference
Prism Sound’s Titan audio interfaces are currently playing a key role in helping US audio and moving image preservation company George Blood L.P. to complete a unique community project, which aims to create a digitized reference collection of 78rpm records. Entitled The Great 78 Project, this extraordinary venture has already digitized 35,000 sides and ultimately aims to digitize in excess of 400,000 sides for preservation, discovery and research.
The UK manufacturer has also recently launched Verifile, a radical new technology that allows computer audio recordings to be quickly checked for a wide range of errors and dropouts, without any compromise in the audio content or any additional metadata. This exciting innovation, which is now available on Prism Sound’s range of USB audio interfaces including Lyra, Titan and Atlas, was invented by Prism Sound in 2014, and has been confidentially tested by many of the world’s leading broadcast, recording, mastering and archival organisations, including Cornell University Library’s Audio-Visual Preservation Lab.
Prism Sound has recently launched Verifile
“As a company, we have an international reputation for creating very high-quality audio interface and conversion products that don’t alter or colour the original sound source,” says Prism Sound’s Sales & Marketing Director, Graham Boswell. “These are exactly the attributes you need from your equipment when you are working in preservation, archiving and restoration. We hope that by supporting this Conference we can share our expertise and help develop new technologies for this important industry area.”
Among the themes that the AES will be addressing are handling and storage of audio; preservation by digitization; preserving legacy professional formats; meta data and the current state and future development of digital archives. There will also be an opportunity for participants to tour the National Audio-Visual Conservation Center.
For more information on this event, please visit: http://www.aes.org/conferences/2018/archiving/
For more information about Prism Sound’s Verifile technology please visit: http://www.prismsound.com/music_recording/products_subs/verifile-info.php
Latest News
NEW SADiE Version 6.1.18 update released SADiE Version 6.1.18 - fully compliant with Windows 10, with Microsoft dropping support for Windows 7. . . . (1st May 2020) |
Prism Sound Appoints cma audio As Its New Distributor The move will introduce new customers to Prism Sound's high quality audio converters and interfaces. . . . (7th March 2019) |
Producer Mark Maitland Buys British To Equip His New Studio UK manufacturers Prism Sound and PMC have both played an important role creating Mark Maitland's new recording and mixing studio. . . . (9th October 2018) |
Prism Sound's Titan Audio Interface Give Composer Sacha Puttnam Peace Of Mind Titan at the heart of his recording set up, this highly respected musician says he has the space he needs to focus on his performance. . . . (10th September 2018) |
Prism Sound Enhances The SADiE User Experience With A New SADiE 6 Software Upgrade Expanded functionality and much improved latency figures are just some of the benefits delivered by SADiE V6.1.13 . . . (30th August 2018) |
Pro7ect's 2019 Songwriting Retreat Announces its Second Headline Producer The exceptionally talented producer/songwriter Gethin Pearson will host the Prism Sound pop up studio at Hotel Pelirocco during Pro7ect's highly collaborative three-day retreat. . . . (31st July 2018) |
Prism Sound and SADiE Help Capture Gregorian Introits in Latin and English A Lyra audio interface and SADiE 6 software delivered the perfect solution for a complex location recording project at Buckfast Abbey in Devon. . . . (10th June 2018) |
Prism Sound Appoints Sonic Lab as Its Distributor in Taiwan Based in Taipei, Sonic Lab has an extensive customer base that encompasses local pro audio, broadcast and film scoring facilities. . . . (6th June 2018) |
Prism Sound Boosts Its US Sales Force With Two Key Appointments Eric Klein and Scott D Ray join the company to promote its world-renowned audio recording products. . . . (19th April 2018) |
Prism Sound's Lyra 2 Brings 'Off The Scale' Sound Quality to US Band UNA American band UNA are delighted with their new Prism Sound Lyra 2 Audio Interface, which they won at NAMM after entering our prize draw competition. . . . (10th April 2018) |
SADiE, part of Prism Sound, Embraces ASIO Direct Monitoring (ADM) For Key Interface Products SADiE workstation software and Prism Sound's Award-winning Atlas, Titan and Lyra audio interfaces can now deliver a more convenient, automated workflow. . . . (17th December 2017) |
William Rowe Joins Prism Sound's Sales Team A recent graduate from De Montfort University, Rowe is delighted to be part of this highly respected pro audio company. . . . (28th September 2017) |
Airshow Mastering Installs Its Fourth Prism Sound SADiE System The company pays tribute to Prism Sound's decades of customer support and dedication to quality audio. . . . (18th October 2015) |
SADiE 6.1 is now released We are pleased to announce the release of SADiE Version 6.1, an update to the acclaimed SADiE6 recording and editing software which is now available for download. . . . (29th August 2014) |
SADiE's new mastering toolkit saves Eric Boulanger "hours and hours" The new mastering features that SADiE has incorporated into its popular SADiE 6 editing and production software have been hailed as a major improvement by internationally acclaimed mastering engineer Eric Boulanger - not least because they are saving him an enormous amount of time. . . . (27th June 2014) |
SADiE's WAV Master Announcing a brand new toolset, which is specifically designed for today's 'digital download' age . . . (27th June 2014) |
Peerless Mastering upgrades to SADiE 6 Software Reflecting an increasingly common pattern throughout the industry, Peerless Mastering's Jeff Lipton has recently upgraded his SADiE software to V6 and bought a Prism Sound Lyra 2 to use with it. . . . (26th March 2014) |
See Also: News Archive