SADiE and Prism Sound make Jealoustown Studios state-of-the-artCambridge, UK: Dunshaughlin-based Jealoustown Recording Studios, situated about half an hour north west of Dublin, has invested in a range of SADiE and Prism Sound equipment to help take its studio offering up to the next level. The new kit comprises a SADiE PCM4 desktop mastering editor, alongside two products from Prism Sound's Maselec Master Series of analogue signal processors; the MEA-2 Precision Stereo Equalizer and the MLA-2 Stereo Compressor.
"Everywhere else I look it's Prism Sound and SADiE," comments Jealoustown Recording Studios owner, Stuart Gray. "That's why I bought them, It's as simple as that."
Jealoustown specialises in commercial work and Gray will use the new kit to master the work of both signed and unsigned artists from Ireland's currently burgeoning music scene. "Business is doing really well at the moment," he says. The highly affordable SADiE PCM4 is ideal for music and radio production and all general high-end editing applications. A 4 input / 4 output SADiE desktop system running full SADiE V5 software, the PCM4 comprises a PCI plug in card and provides 4 channels of balanced line input and output as well as digital I/O (AES/EBU). The PCM4 utilises the SADiE Series 5 hardware platform to meet the demand for more powerful high-speed processing of today's high-resolution audio formats up to 96kHz/24bit. In addition to the increase in processing power, the PCM4 offers full support as standard for real-time Direct-X plug-ins and features standard Windows networking.
The MLA-2 (which for optimum transparency and freedom from noise employs a non-VCA design) is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. The MEA-2, meanwhile, is a stereo or 2-channel, four-band precision analogue equalizer with stepped Q/shelf, frequency and cut/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.
"My ambition is to make sure that Jealoustown is a state-of-the-art studio, with everything that anyone will ever need and SADiE is a very large part of that," concludes Gray.
|Prism Sound Enhances The SADiE User Experience With A New SADiE 6 Software Upgrade
Expanded functionality and much improved latency figures are just some of the benefits delivered by SADiE V6.1.13 . . . (30th August 2018)
|Pro7ect's 2019 Songwriting Retreat Announces its Second Headline Producer
The exceptionally talented producer/songwriter Gethin Pearson will host the Prism Sound pop up studio at Hotel Pelirocco during Pro7ect's highly collaborative three-day retreat. . . . (31st July 2018)
|Prism Sound and SADiE Help Capture Gregorian Introits in Latin and English
A Lyra audio interface and SADiE 6 software delivered the perfect solution for a complex location recording project at Buckfast Abbey in Devon. . . . (10th June 2018)
|Prism Sound Appoints Sonic Lab as Its Distributor in Taiwan
Based in Taipei, Sonic Lab has an extensive customer base that encompasses local pro audio, broadcast and film scoring facilities. . . . (6th June 2018)
|Prism Sound Boosts Its US Sales Force With Two Key Appointments
Eric Klein and Scott D Ray join the company to promote its world-renowned audio recording products. . . . (19th April 2018)
|Prism Sound's Lyra 2 Brings 'Off The Scale' Sound Quality to US Band UNA
American band UNA are delighted with their new Prism Sound Lyra 2 Audio Interface, which they won at NAMM after entering our prize draw competition. . . . (10th April 2018)
|Prism Sound Sponsors AES Archiving, Preservation & Restoration Conference
The company's audio interfaces and converters are ideally suited to the quality demands of this important market. . . . (28th March 2018)
|SADiE, part of Prism Sound, Embraces ASIO Direct Monitoring (ADM) For Key Interface Products
SADiE workstation software and Prism Sound's Award-winning Atlas, Titan and Lyra audio interfaces can now deliver a more convenient, automated workflow. . . . (17th December 2017)
|William Rowe Joins Prism Sound's Sales Team
A recent graduate from De Montfort University, Rowe is delighted to be part of this highly respected pro audio company. . . . (28th September 2017)
|Airshow Mastering Installs Its Fourth Prism Sound SADiE System
The company pays tribute to Prism Sound's decades of customer support and dedication to quality audio. . . . (18th October 2015)
|SADiE 6.1 is now released
We are pleased to announce the release of SADiE Version 6.1, an update to the acclaimed SADiE6 recording and editing software which is now available for download. . . . (29th August 2014)
|SADiE's new mastering toolkit saves Eric Boulanger "hours and hours"
The new mastering features that SADiE has incorporated into its popular SADiE 6 editing and production software have been hailed as a major improvement by internationally acclaimed mastering engineer Eric Boulanger - not least because they are saving him an enormous amount of time. . . . (27th June 2014)
|SADiE's WAV Master
Announcing a brand new toolset, which is specifically designed for today's 'digital download' age . . . (27th June 2014)
|Peerless Mastering upgrades to SADiE 6 Software
Reflecting an increasingly common pattern throughout the industry, Peerless Mastering's Jeff Lipton has recently upgraded his SADiE software to V6 and bought a Prism Sound Lyra 2 to use with it. . . . (26th March 2014)
See Also: News Archive