SADiE helps In The Dark celebrate the culture of radioCambridge, UK: The SADiE name is one that needs no introduction to radio engineers thanks to the unique relationship the company has with many of the world's top broadcasters. To reinforce its presence in this field, SADiE recently sponsored In The Dark's high profile events at the London International Documentary Festival (LIDF), which took place in early May.
In The Dark is a unique organisation dedicated to celebrating and enriching the culture of radio documentary in the UK. Through workshops and live "listening" events that bring together producers from around the world it aims to encourage a thriving community where radio can be easily accessed, enjoyed and discussed.
Alan Hall and Nina Perry at In the Dark
This year, In The Dark hosted a number of events in association with LIDF. These allowed audiences to close their eyes and open their ears to a world of aural story telling. Running alongside LIDF's programme of films and photography, it asked how story-telling through sound continues to enrich documentary culture as a whole.
Among the international guests taking pert were Canadian independent producer, Chris Brookes; Norwegian Radio's Head of the Radio Documentaries, Berit Hedemann; and British composer, sound designer and radio producer, Nina Perry, each of whom presented their work "in the dark" to hushed audiences in the Courthouse Hotel Cinema in Central London. On the last day of events they were joined by Tony Phillips (BBC World Service) and Francesca Panetta (The Guardian) in a discussion about the crafted feature in the digital age. All events were guest-chaired by independent producer Alan Hall (Falling Tree Productions).
Commenting on the In The Dark, Alan Hall says: "I was delighted to curate these events because I appreciate the ambition of Nina Garthwaite, the event founder, to encourage and celebrate close listening. It was wonderful to share the experience of listening in a cinema space to beautifully mixed pieces of radio. As a producer of crafted radio features, I'm accustomed to listening attentively in mixing sessions, but In the Dark provided this opportunity to members of the public as well as radio professionals. That SADiE helped make this a possibility is entirely appropriate - it's an elegant and sophisticated editing system that enables producers to make the most of their ideas. In the Dark then offered these inspiring sessions that I believe help to elevate the form of the radio feature."
|Producer Mark Maitland Buys British To Equip His New Studio
UK manufacturers Prism Sound and PMC have both played an important role creating Mark Maitland's new recording and mixing studio. . . . (9th October 2018)
|Prism Sound's Titan Audio Interface Give Composer Sacha Puttnam Peace Of Mind
Titan at the heart of his recording set up, this highly respected musician says he has the space he needs to focus on his performance. . . . (10th September 2018)
|Prism Sound Enhances The SADiE User Experience With A New SADiE 6 Software Upgrade
Expanded functionality and much improved latency figures are just some of the benefits delivered by SADiE V6.1.13 . . . (30th August 2018)
|Pro7ect's 2019 Songwriting Retreat Announces its Second Headline Producer
The exceptionally talented producer/songwriter Gethin Pearson will host the Prism Sound pop up studio at Hotel Pelirocco during Pro7ect's highly collaborative three-day retreat. . . . (31st July 2018)
|Prism Sound and SADiE Help Capture Gregorian Introits in Latin and English
A Lyra audio interface and SADiE 6 software delivered the perfect solution for a complex location recording project at Buckfast Abbey in Devon. . . . (10th June 2018)
|Prism Sound Appoints Sonic Lab as Its Distributor in Taiwan
Based in Taipei, Sonic Lab has an extensive customer base that encompasses local pro audio, broadcast and film scoring facilities. . . . (6th June 2018)
|Prism Sound Boosts Its US Sales Force With Two Key Appointments
Eric Klein and Scott D Ray join the company to promote its world-renowned audio recording products. . . . (19th April 2018)
|Prism Sound's Lyra 2 Brings 'Off The Scale' Sound Quality to US Band UNA
American band UNA are delighted with their new Prism Sound Lyra 2 Audio Interface, which they won at NAMM after entering our prize draw competition. . . . (10th April 2018)
|Prism Sound Sponsors AES Archiving, Preservation & Restoration Conference
The company's audio interfaces and converters are ideally suited to the quality demands of this important market. . . . (28th March 2018)
|SADiE, part of Prism Sound, Embraces ASIO Direct Monitoring (ADM) For Key Interface Products
SADiE workstation software and Prism Sound's Award-winning Atlas, Titan and Lyra audio interfaces can now deliver a more convenient, automated workflow. . . . (17th December 2017)
|William Rowe Joins Prism Sound's Sales Team
A recent graduate from De Montfort University, Rowe is delighted to be part of this highly respected pro audio company. . . . (28th September 2017)
|Airshow Mastering Installs Its Fourth Prism Sound SADiE System
The company pays tribute to Prism Sound's decades of customer support and dedication to quality audio. . . . (18th October 2015)
|SADiE 6.1 is now released
We are pleased to announce the release of SADiE Version 6.1, an update to the acclaimed SADiE6 recording and editing software which is now available for download. . . . (29th August 2014)
|SADiE's new mastering toolkit saves Eric Boulanger "hours and hours"
The new mastering features that SADiE has incorporated into its popular SADiE 6 editing and production software have been hailed as a major improvement by internationally acclaimed mastering engineer Eric Boulanger - not least because they are saving him an enormous amount of time. . . . (27th June 2014)
|SADiE's WAV Master
Announcing a brand new toolset, which is specifically designed for today's 'digital download' age . . . (27th June 2014)
|Peerless Mastering upgrades to SADiE 6 Software
Reflecting an increasingly common pattern throughout the industry, Peerless Mastering's Jeff Lipton has recently upgraded his SADiE software to V6 and bought a Prism Sound Lyra 2 to use with it. . . . (26th March 2014)
See Also: News Archive